"Großartig übersetzt von Eugen Helmlé erzählt der Roman Alltagsbegebenheit völlig überzeichnet und mit einer Derbheit, dass es einen begeistert." pas Torfkurier

"Großartig übersetzt von Eugen Helmlé erzählt der Roman Alltagsbegebenheit völlig überzeichnet und mit einer Derbheit, dass es einen begeistert." pas Torfkurier

Impish, foul-mouthed Zazie arrives in Paris from the country to stay with Gabriel, her female-impersonator uncle. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into ...(展开全部)

Impish, foul-mouthed Zazie arrives in Paris from the country to stay with Gabriel, her female-impersonator uncle. All she really wants to do is ride the metro, but finding it shut because of a strike, Zazie looks for other means of amusement and is soon caught up in a comic adventure that becomes wilder and more manic by the minute. In 1960 Queneau's cult classic was made into ...(展开全部)

Tourists climb the Eiffel Tower to see Paris. Parisians know that to really see the city you must descend into the metro. In this revelatory book, Marc Auge takes readers below Paris in a work that is both an ethnography of the city and a personal narrative. Guiding us through history, memory, and physical space, Auge juxtaposes the romance of the metro with the reality of mult...(展开全部)

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a dis...(展开全部)

作者： 德米特里·格鲁霍夫斯基（Dmitry Glukhovsky），1979年出生于莫斯科，毕业于耶路撒冷大学新闻和国际关系专业。曾任欧洲新闻电视台、“德国之声”和“今日俄罗斯”电视台记者，精通法语、德语、西班牙语、希伯来语等多种语言。2002年发表第一部科幻小说《地铁2033》，后由4A Games工作室改编为系列电子游戏，引发全球玩家热议。真人版电影由俄罗斯传媒集团Gazprom Media制作，预计于2024年上映。 除《地铁》系列外，还著有《活在你手机里的我》《黄昏》《祖国故事》等多部作品。 译者： 陈恒哲，毕业于中国传媒大学俄语专业，曾于莫斯科大学新闻系进修，现就职于国家级媒体。译有多部文学和戏剧作品，包括《钢铁是怎样炼成的》、戏剧奥林匹克压轴大戏《群魔》、乌镇戏剧节演出剧目《我们存在》等。

From the author of Soviet Bus Stops, an underground trip through the Soviet Metro “For us,” said Soviet leader Nikita Khrushchev in his memoirs, “there was something supernatural about the Metro.” Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Par...(展开全部)

Insofern rennt Adornos Hegelkritik – zumindest was die Wesenslogik angeht – offene Türen ein, indem hier eben nicht jede Bestimmung Identifikation ist, wie Adorno behauptet, sondern in erster Linie Unterscheidung, Negation, die damit die Identität zum bewegten Moment herabsetzt und den Begriff der Identität gegenüber der Identitätsphilosophie bereits so qualitativ verändert, wi...(展开全部)

Insofern rennt Adornos Hegelkritik – zumindest was die Wesenslogik angeht – offene Türen ein, indem hier eben nicht jede Bestimmung Identifikation ist, wie Adorno behauptet, sondern in erster Linie Unterscheidung, Negation, die damit die Identität zum bewegten Moment herabsetzt und den Begriff der Identität gegenüber der Identitätsphilosophie bereits so qualitativ verändert, wi...(展开全部)